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Description
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Promoter Warsaw Philharmonic
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In partnership with the Warsaw Philharmonic
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Guest promoter
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On tour
Whole repertoire

Before the Chinese Tour with Yundi

Yundi at the press conference in Beijing
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Warsaw Philharmonic announces auditions

HORN – high horn, one position (first, third and assistant, full time)

submit application up till 22 September

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Penderecki conducts Penderecki vol. 2

Premiere of the new album with Warsaw Philharmonic Choir

21st fo July

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Artistic season 2017/2018 programme

The new season programme at www.filharmonia.pl

Grammy for the Warsaw Philharmonic Choir

The Award has arrived to Warsaw!
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Return to concert list

Repertoire

Symphonic concert
Event type: Symphonic, choral, large-scale vocal-instrumental
Hall: Concert Hall
Subscription: C1 - Symphonic concerts, Z1 - Golden subscription
Price: 25, 35, 45, 50, 60 zł
Conductor/Performers
Program
Ludwig van Beethoven
-  Coriolan overture op. 62 [9']
Franz Liszt
- Von der Wiege bis zum Grabe, symphonic poem S. 107 [16']
Intermission [20']
Walter Braunfels
- Te Deum op. 32 for soprano, tenor, choir and orchestra [55']

The works of Walter Braunfels are rarely performed in Poland; for a long time after his death, he was also forgotten in his homeland. His heyday came before World War II. Adolf Hitler is said to have loved his opera Die Vögel so much that he asked the composer to write a hymn for the NSDAP party, but Braunfels categorically refused and (unlike many other musicians, such as Carl Orff, who eagerly embraced the patronage of the Third Reich) did not make any attempts to please the criminal regime, which caused him to be banned from official music life. After the war he was particularly highly regarded as a teacher. Among others, he was the head of the Hochschule für Musik in Cologne. He had Jewish roots, but after the trauma of fighting in World War I he became a Catholic. His grand and monumental Te Deum of 1920 was a musical symbol of his conversion. It shows parallels with Mahler’s Symphony No. 2, continuing the ideas of that latter work, as well as of Mahler’s Eighth.

Liszt’s late symphonic poem From the Cradle to the Grave, inspired by the Hungarian artist Mihály Zichy’s drawing on the subject of Vanitas vanitatum, is focused and intimate, as well as philosophically reflective. It depicts in sound the evanescence of life and acceptance of death.

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