Promoter Warsaw Philharmonic
In partnership with the Warsaw Philharmonic
Guest promoter
On tour
Whole repertoire

Amore Traditore. She, He and That Other Man

Pasiecznik / Stefanowicz / Szelążek
Ensemble Club Europa

9 May, 7pm

Learn more


Collon / Khachatryan / Wolak / Partyka / Warsaw Philharmonic ensembles

12 May, 7:30pm

Learn more

Warsaw Philharmonic announces auditions

HARPIST (half-time soloist)
CELLIST (full-time tutti player)

submit application up till 26 May

Learn more
Return to concert list


Symphonic concert
Event type: Symphonic, choral, large-scale vocal-instrumental
Hall: Concert Hall
Subscription: C2 - Symphonic concerts, Z2 - Golden subscription
Price: 25, 35, 45, 50, 60 zł
Ludwig van Beethoven
-  Coriolan overture op. 62 [9']
Franz Liszt
- Von der Wiege bis zum Grabe, symphonic poem S. 107 [16']
Intermission [20']
Walter Braunfels
- Te Deum op. 32 for soprano, tenor, choir and orchestra [55']

The works of Walter Braunfels are rarely performed in Poland; for a long time after his death, he was also forgotten in his homeland. His heyday came before World War II. Adolf Hitler is said to have loved his opera Die Vögel so much that he asked the composer to write a hymn for the NSDAP party, but Braunfels categorically refused and (unlike many other musicians, such as Carl Orff, who eagerly embraced the patronage of the Third Reich) did not make any attempts to please the criminal regime, which caused him to be banned from official music life. After the war he was particularly highly regarded as a teacher. Among others, he was the head of the Hochschule für Musik in Cologne. He had Jewish roots, but after the trauma of fighting in World War I he became a Catholic. His grand and monumental Te Deum of 1920 was a musical symbol of his conversion. It shows parallels with Mahler’s Symphony No. 2, continuing the ideas of that latter work, as well as of Mahler’s Eighth.

Liszt’s late symphonic poem From the Cradle to the Grave, inspired by the Hungarian artist Mihály Zichy’s drawing on the subject of Vanitas vanitatum, is focused and intimate, as well as philosophically reflective. It depicts in sound the evanescence of life and acceptance of death.

Filharmonia Narodowa
Download on your device
All rights reserved © 2016 Filharmonia Narodowa Site by: ActiveDesign