Warsaw Philharmonic Choir Filharmonia Narodowa

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Warsaw Philharmonic Choir
fot. Bartek Barczyk

Warsaw Philharmonic Choir

The Warsaw Philharmonic Choir was founded in 1953 under Zbigniew Soja. Later chorus masters have included Roman Kuklewicz (1955–1971), Józef Bok (1971–1974), Antoni Szaliński (1974–1978), and Henryk Wojnarowski (1978–2016), and since January 2017, the post has been held by Bartosz Michałowski.

The Choir’s performances focus on symphonic and oratorio concerts with the Warsaw Philharmonic Orchestra, as well as a cappella performances in the Warsaw Philharmonic Hall. Each season, the Choir stages numerous concerts here, and also appears regularly at the ‘Warsaw Autumn’ International Festival of Contemporary Music, Wratislavia Cantans International Festival, International Music Festival of Central and Eastern Europe Eufonie and Ludwig van Beethoven Easter Festival.

The Warsaw Philharmonic Choir has also performed extensively abroad, in Austria, Belgium, Denmark, Finland, Greece, Spain, Iceland, Israel, Germany, Russia, Switzerland, Turkey, Lithuania, Latvia, France and Italy. In May 2015, it also toured Great Britain with the Warsaw Philharmonic Orchestra. The Choir has been frequently invited to perform in concerts with such outstanding orchestras as the Berliner Philharmoniker, Münchner Philharmoniker, Rundfunk-Sinfonieorchester Berlin, Deutsches Symphonie-Orchester Berlin, Bamberger Symphoniker, Tel Aviv and Jerusalem symphony orchestras, Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome, Orchestre Symphonique de la Monnaie, Orchestra Sinfonica Siciliana in Palermo and Orchestra del Teatro alla Scala in Milan.

The Choir’s first appearance on an opera stage brought further invitations to opera houses: La Scala (Weber’s Oberon, 1989; Beethoven’s Fidelio, 1990), La Fenice in Venice (Stravinsky’s The Rake’s Progress, 1986; Mozart’s Die Zauberflöte, 1987), Paris (Beethoven’s Fidelio, 1989); Palermo (Szymanowski’s King Roger, 1992; Stravinsky’s Oedipus Rex, 1993; Honegger’s Antigone, 1993), and Pesaro (Rossini’s L’italiana in Algeri, 1994). In 1988, 1990 and 2001, the Choir sang in gala concerts organised for Pope John Paul II at the Vatican.

The Choir has been conducted by such outstanding Polish and international masters of the baton and composers as Moshe Atzmon, Gary Bertini, Andrzej Boreyko, Sergiu Comissiona, Henryk Czyż, Charles Dutoit, Vladimir Fedoseyev, Sir Charles Groves, Jacek Kaspszyk, Kazimierz Kord, Helmut Koch, Ton Koopman, Jan Krenz, Witold Lutosławski, Lorin Maazel, Jerzy Maksymiuk, Igor Markevitch, Andrzej Markowski, Kurt Masur, Zubin Mehta, Grzegorz Nowak, Seiji Ozawa, Krzysztof Penderecki, Zoltán Peskó, Sir Simon Rattle, Wolfgang Rennert, Helmuth Rilling, Ljubomir Romansky, Witold Rowicki, Hanns-Martin Schneidt, Jerzy Semkow, David Shallon, Giuseppe Sinopoli, Stanisław Skrowaczewski, Leopold Stokowski, Igor Stravinsky, Tadeusz Strugała, Stanisław Wisłocki, Antoni Wit and Bohdan Wodiczko.

The Choir’s wide repertoire comprises several hundred oratorios and a cappella works, ranging from the Middle Ages to contemporary pieces. A special place in the Choir’s repertoire is occupied by Polish music, especially pieces by Krzysztof Penderecki. The ensemble has performed and recorded all of his oratorios and a cappella works. In February 2017, the Choir received the most prestigious award of the phonographic industry, a Grammy, in the ‘Best Choral Performance’ category, for the first CD in the Penderecki Conducts Penderecki series (featuring Dies Illa, Psalms of David, Hymn to St Daniil and Hymn to St Adalbert). The Choir had been nominated for a Grammy six times before: five times for its recordings of Krzysztof Penderecki’s works, i.e. St Luke Passion (two nominations: in 1991, conducted by the composer, and in 2004, conducted by Antoni Wit), Polish Requiem (2005), Symphony No. 7 ‘Seven Gates of Jerusalem’ (2007) and Utrenja (2009), and also for a Karol Szymanowski album featuring, among others, Stabat Mater, Demeter and Veni Creator (2008). The album with the Polish Requiem also received the Record Academy Award 2005 (from the Japanese magazine Record Geijutsu). In April 2009, the Choir’s album Stanisław Moniuszko – Masses received a Fryderyk Award, in the ‘Album of the Year – Choral and Oratorio Music’ category, whilst the second volume was honoured with a Golden Orpheus – Arturo Toscanini Award from the French Académie du Disque Lyrique, in the category ‘Best Phonographic Initiative’, in May 2010. The latter was given in recognition of its promotion of Stanisław Moniuszko’s oeuvre. These two CDs are the world’s only recording of Moniuszko’s complete masses. In March 2011, the Choir received a Fryderyk Award for its 1989 CD recording of Roman Maciejewski’s Requiem. Missa pro defunctis, which was reissued with a new graphic layout in 2010 to mark the centenary of the composer’s birth. The ensemble was awarded two more Fryderyks for Karol Szymanowski recordings: in 2018 for an album featuring Litany to the Virgin Mary, Stabat Mater and Symphony No. 3 ‘Song of the Night’ (with the Warsaw Philharmonic Orchestra under the baton of Jacek Kaspszyk), and in 2020 for the opera Hagith (with the Polish Radio Orchestra in Warsaw and Michał Klauza). In 2018, the Choir featured in a recording of a vast collection called 100 for 100: Musical Decades of Freedom, released by PWM, featuring 100 works by Polish composers from the years 1918–2019. The ensemble recorded pieces by Padlewski, Łuciuk and Twardowski, and the CD set also included its earlier recordings of Szymanowski’s works (the collection as a whole was singled out for yet another Fryderyk Award in 2020).

The Choir’s discography also comprises Christmas carols (DVD and CD), as well as Handel’s Messiah, Israel in Egypt and Juda Maccabaeus, Mozart’s Requiem, Beethoven’s Fidelio and Symphony No. 9, Verdi’s Requiem, Rossini’s Petite messe solennelle (which has been nominated for an ICMA award), Berlioz’s La damnation de Faust, Bruckner’s Te Deum, Elsner’s Passion, Mahler’s Symphony No. 8, Moniuszko’s Litanies of Ostra Brama, Maklakiewicz’s Masses, Schumann’s Scenes from Goethe’s Faust, Bellini’s Norma, Wagner’s Der fliegende Holländer, Kilar’s Missa pro pace, Brahms’s Ein deutsches Requiem, Dvořák’s Requiem, Kancheli’s Libera me and Weinberg’s Symphony No. 8 ‘Polish Flowers’. The ensemble also participated in the first ever recording of Anton Rubinstein’s sacred opera Moses (2018, conducted by Michail Jurowski). The album was the world phonographic premiere (2018). In April 2024, another CD was released: Paweł Łukaszewski. The Adoration, on which the Choir, conducted by Bartosz Michałowski, recorded a cappella works by that Polish composer.

In 2023, the Warsaw Philharmonic Choir celebrated its 70th anniversary.

 

[2024]

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Bienias
Katarzyna Bienias
Bozik
Urszula Bozik
Czarkowska-Lawaty
Marta Czarkowska-Lawaty
Dobrowolska
Magdalena Dobrowolska
Dobrzyńska-Krysiak
Monika Dobrzyńska-Krysiak
Dudzińska
Joanna Dudzińska
Gala
Alicja Gala
Jasińska
Anna Jasińska
Jaskowska
Kinga Jaskowska
Jedynak-Obłoza
Justyna Jedynak-Obłoza
Kalisz-Kędziorek
Katarzyna Kalisz-Kędziorek
Kraska-Szatkowska
Michalina Kraska-Szatkowska
Marusiak
Anastazja Marusiak
Miłkowska-Cieśla
Małgorzata Miłkowska-Cieśla
Mularczyk
Marta Mularczyk
Muszyńska
Maria Muszyńska
Poškute-Królak
Inga Poškute-Królak
Schabowska
Magdalena Schabowska
Sikora
Eliza Sikora
Sikorska
Sylwia Sikorska
Suwannarit
Samitra Suwannarit
Szczerbaczewicz
Barbara Szczerbaczewicz
Bartnik
Jadwiga Bartnik
Cesarczyk
Grażyna Cesarczyk
Dąbrowska
Beata Dąbrowska
Dobber-Sienkiewicz
Brygida Dobber-Sienkiewicz
Fijałkowska
Anna Fijałkowska
Gontarz
Joanna Gontarz
Hennig-Pochwat
Małgorzata Hennig-Pochwat
Jadczak
Marzanna Jadczak
Janiec
Olga Janiec
Jankowska
Martyna Jankowska
Kaczyńska-Lechnio
Jolanta Kaczyńska-Lechnio
Kazimierska
Dominika Kazimierska
Kozłowska
Anna Kozłowska
Kozłowska
Zuzanna Kozłowska
Krawczuk
Anna Krawczuk
Kuls-Ferreira
Diana Kuls-Ferreira
Mieczkowska
Ewa Mieczkowska
Rodowicz
Urszula Rodowicz
Spodniewska-Szyndler
Małgorzata Spodniewska-Szyndler
Stawarz-Moszczyńska
Anna Stawarz-Moszczyńska
Szmuk
Agata Szmuk
Wiktorzak
Marta Wiktorzak
Cyciura
Mariusz Cyciura
Gręziak
Andrzej Gręziak
Jaskowski
Marcin Jaskowski
Kołbuk
Wojciech Kołbuk
Kucharczyk
Paweł Kucharczyk
Kutysz
Henryk Kutysz
Latek
Mariusz Latek
Lawrence
Robert Lawrence
Marusiak
Andrzej Marusiak
Miroszczuk
Adam Miroszczuk
Szemraj
Kacper Szemraj
Szwajkowski
Marek Szwajkowski
Tupczyński
Zbigniew Tupczyński
Warmijak
Tomasz Warmijak
Wiśniewski
Grzegorz Wiśniewski
Wiśniewski
Tadeusz Wiśniewski
Woźniak
Daniel Woźniak
Zwoliński
Emil Zwoliński
Żebrowski
Damian Żebrowski
Chalimoniuk
Krzysztof Chalimoniuk
Gniazdowski
Wiktor Gniazdowski
Golec
Dariusz Golec
Grabski
Mirosław Grabski
Gunerka
Sebastian Gunerka
Kaczyński
Adam Kaczyński
Kondraciuk
Miłosz Kondraciuk
Kozłowski
Andrzej Kozłowski
Kozłowski
Bogumił Kozłowski
Matuszak
Krzysztof Matuszak
Parczała
Marian Parczała
Stawarski
Piotr Stawarski
Wawreczko
Roman Wawreczko
Widlarz
Piotr Widlarz
Wota
Marek Wota
Pustoła
Ariadna Pustoła
Wilczyńska
Ewa Wilczyńska
Golec
Dariusz Golec
Wawreczko
Roman Wawreczko
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Henryk Wojnarowski

Choirmaster, director of the Warsaw Philharmonic Choir from 1978 to 2016.

He graduated in symphonic and operatic conducting after studies with Stanisław Wisłocki at the State Higher School of Music in Warsaw. From 1960 to 1978 he was conductor and director of the Grand Theatre Choir in Warsaw. In the Grand Theatre, he prepared about eighty new productions, including several world premieres.

With the Warsaw Philharmonic Choir, he has for many years given highly successful performances with leading Polish and other European symphony orchestras in such prestigious musical centres as Milan’s La Scala (1985, 1989, 1990), Berlin, Munich, Paris, Rome, Madrid, Brussels, and Jerusalem. He has collaborated with the most prominent contemporaryconductors, such as Gary Bertini,  Sergiu Comissiona, Jacek Kaspszyk, Kazimierz Kord, Jan Krenz, Lorin Maazel, Jerzy Maksymiuk, Zubin Mehta, Seiji Ozawa, Krzysztof Penderecki, Sir Simon Rattle, Helmuth Rilling, Witold Rowicki, Jerzy Semkow, Giuseppe Sinopoli, Stanisław Skrowaczewski, Leopold Stokowski, Stanisław Wisłocki, Antoni Wit, Bohdan Wodiczko.

The artist regularly performs during music festivals in Warsaw, Wrocław, Cracow, Bydgoszcz, and Toruń. With his choir, he has presented the entire canon of vocal‑instrumental works from all periods, with special emphasis on Polish contemporary music (e.g. Krzysztof Penderecki’s complete works with choir). He has participated in numerous Polish and world premieres. Also with the Warsaw Philharmonic Choir, he has made a large number of radio archive recordings and music records.

Henryk Wojnarowski has received six nominations for the most prestigious music record industry prize – the Grammy Award: five for his recordings of works by Krzysztof Penderecki (twice for St Luke Passion: 1991 –conducted by the composer, 2004 – conducted by Antoni Wit; 2005 – for The Polish Requiem; in 2007 – for Symphony No. 7  Seven Gates of Jerusalem; in 2009 for Utrenja) and in 2008 – for a CD with Karol Szymanowski’s music – Stabat Mater, Demeter, Veni Creator, Penthesilea.

In April 2009 the first album with Stanisław Moniuszko’s masses conducted by Wojnarowski won the Fryderyk Award of the Polish music industry as Record of the Year in the category of Choral and Large-Scale Vocal-Instrumental Music. In May 2010, the second album from that series was awarded “Orphees d’Or - The Arturo Toscanini Memorial Award” by L’Academie du Disque Lyrique in recognition of „the best phonographic initiative”, that is, the label’s efforts in promoting the music of Stanisław Moniuszko.

In October 2005, the artist received the Jerzy Kurczewski Award, Poland’s only award for distinguished choral artists, granted since 1999 in Poznań.

In June 2011 he was awarded the “Gloria Artis” Gold Medal for Merit to Culture (by the Polish Ministry of Culture and National Heritage).

In 1962-2002, Henryk Wojnarowski was an academic teacher. He was made full professor by the Polish state.

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