Special Choral Music Concert Filharmonia Narodowa

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Special Choral Music Concert
Warsaw Philharmonic Choir, photo: Grzesiek Mart

In 1953 the Warsaw Philharmonic Choir first performed before a Warsaw audience. Since then, the ensemble has given the first performances of a large number of works, both at home and abroad, performing alone or with leading Polish and international orchestras. It has also recorded numerous discs a cappella and with the Warsaw Philharmonic Orchestra, many of which have won critical acclaim and prestigious awards (including a Grammy). For this jubilee concert, in which the choir will be conducted by its director, Bartosz Michałowski, the musicians have prepared a programme with works by composers particularly close to their hearts: Johann Sebastian Bach and Krzysztof Penderecki. The WP Choir has performed the Leipzig cantor’s cantata-oratorio masterworks many times. Its links with Krzysztof Penderecki, meanwhile, are of a very personal nature. The choir’s repertoire includes all of Penderecki’s works with a choral part, and it has taken part in their recordings and some first performances. In addition, the choir had the pleasure of performing his works under the baton of the composer himself, who readily combined composing with conducting.


Bartłomiej Gembicki

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Dorota Szczepańska

Dorota Szczepańska completed her vocal studies at the Fryderyk Chopin University of Music in Warsaw and at the Hochschule für Musik, Theater und Medien Hannover in the class of Marek Rzepka.

The artist specialises in music of the Baroque and Classical eras. She also enjoys performing jazz repertoire. With Alon Sariel and Peter Schwebs, she co-founded the Lamento Project, which combines Baroque and popular music.

Dorota Szczepańska sang, among others, the title role in in George Frideric Handel’s Semele under the baton of Howard Arman, Maria in Franz Schubert’s Lazarus under the baton of Trevor Pinnock at the Potsdamer Winteroper, Erodiade la madre in Alessandro Stradella’s oratorio San Giovanni Battista with Ensemble Mare Nostrum under the baton of Andrea De Carlo at the Teatro Carlo Felice in Geneva, the title role in Christoph Willibald Gluck’s opera Orphée et Eurydice conducted by Paul Esswood, Galatea in Handel’s Acis and Galatea conducted by Krzysztof Garstka at the Polish Royal Opera, Orlando in the concert version of the opera Argenore by Wilhelmine von Bayreuth, conducted by Antonius Adamske, and the soprano part in Wolfgang Amadeus Mozart’s Requiem with the {oh!} Historical Orchestra and The Marian Consort under the baton of Martyna Pastuszka.

She performed with Christina Pluhar’s ensemble L’Arpeggiata (Céline Sheen, Luciana Mancini, Vincenzo Capezzuto, Alessandro Giangrande and Joao Fernandes) at the Baltic Sea Festival in Stockholm, as well as at Herrenhausen in Hannover alongside tenor Rolando Villazón. In 2024, she was successful as Cleopatra in Handel’s Giulio Cesare under the baton of Adam Banaszak at the Warsaw Chamber Opera. In the same year, she also made her debut in the role of Dido in Henry Purcell’s Dido and Aeneas under the baton of Dirk Vermeulen.

The artist took part in recordings of Krzysztof A. Janczak’s Ave Maria (London Symphony Orchestra), Bohuslav Martinů’s Stín (Sinfonia Varsovia), and also participated in the recording of film soundtracks: The Pleasure Principle by Michał Lorenc, and Janczak’s Even Mice Belong in Heaven and Black Sheep.

 

[2025]