Grand Chinese New Year Concert Filharmonia Narodowa

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Grand Chinese New Year Concert
China National Traditional Orchestra

The dragon is one of the twelve animals in the Chinese zodiacal cycle. People born in the Year of the Dragon are considered to be courageous and confident, possessing strong leadership qualities, as well as being intelligent and wise. The Dragon Years are 1952, 1964, 1976, 1988, 2000, 2012, and 2024.

Since the ancient times, civilisations and peoples all over the world have adopted different beliefs and customs, creating their own calendars and festivals. Their multitude forms a celestial map of human civilisation. In the eastern part of the world, Chinese people have continuously contributed to this spiritual heritage of humanity for thousands of years. The Chinese calendar, rooted in an ancient agrarian civilisation, is – as the Chinese people themselves believe – the result of the actions of a dragon, gliding between Heaven and Earth and sowing seeds. These seeds, touching the ground, began to grow, giving rise to Chinese stories, legends and the most important days in the cyclical scheme of the year – the Chinese festivals. Festivals are a testament to how we pass through time, how we experience days and nights, emotions and loves – for family, country and the world.

The ancients used to say that music represents the harmony of Heaven and Earth by bringing the two together. Let us appreciate the Chinese festival music today and let it accompany us throughout the year, harmonising our breath with both – Earth and Heaven.

The starting point of the event ‘The Great Harmony of Heaven and Earth: Chinese Festivals’ is the Chinese Lunar New Year, and its axis is time. It focuses on eight representative traditional Chinese festivals — Spring Festival, Lantern Festival, Qingming Festival, Dragon Boat Festival, Qixi Festival, Mid-Autumn Festival, Double Ninth Festival, and Winter Solstice. This creative concert is a musical reflection of the festive imagery, capturing the essence of each celebration through the power of music.

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Zhao Cong

President of the China National Traditional Orchestra (CNTO), virtuoso of a traditional Chinese stringed instrument pipa, honorary state musician, National Art Fund young composer and a respected figure in the international classical music world who boldly combines tradition and innovation.

Committed to the promotion of indigenous music, she has been performing it all over the world for many years. She is the standing committee member and director of cultural and artistic sector of the 13th All-China Youth Federation, a member of the Central Committee of the National Youth Federation, an advisor to the Peking University Art Troupe, and an invited artistic visiting scholar of Stanford University (USA) and Cambridge University (UK). In the United States, she received the certificate of “International World Music Master”. She has served on the jury of international music competitions such as the National Art Fund, the CCTV National Music Competition and the International Chinese Instrument Competition.

She is a specially appointed artist for China Day at Harvard University. She is a distinguished professor at Fudan University in Shanghai, awarded and honoured by the Publicity Department of the CPC Central Committee. She holds a degree from the Central Conservatory of Music (2000) and a degree in Cultural Management from Peking University (2015).

Zhao Cong has performed in more than fifty countries, and her music has been heard by more than forty foreign heads of state. She has recorded several albums, including Carmen, Listen to China, Classic Eternity and New Language of Pipa. She is also the composer of two pipa concertos: Silk Road Flying and Heaven and Earth Eternal Happiness, and the suite Music Resounding in the East.

The artist has repeatedly presented the beauty and richness of Chinese music at important national and international events, such as the G20 Summit (2016) and the Belt and Road Initiative (2017) in China. A journalist from The Guardian wrote: “Zhao Cong’s excellent performance filled Chinese folk music with hope”.

 

[2024]

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