Opening of the 2025/2026 Concert Season Filharmonia Narodowa

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Opening of the 2025/2026 Concert Season
Krzysztof Urbański, photo: Bartek Barczyk

tickets for this concert on sale from 8.09 (10 a.m.)

 

The 2025/2026 season will open with two canonical works representing extremely different worlds in the classical repertoire. Their juxtaposition is an intriguing artistic experiment that may attract listeners with different aesthetic preferences to the Warsaw Philharmonic.

A sonata for two pianos, or perhaps a symphony in the spirit of Beethoven? These were the questions that the young Johannes Brahms asked himself – and his friends – before completing the long and arduous journey to the end of his Piano Concerto No. 1 in D minor. He consulted his friends over every page of the score, polishing the work with admirable precision. The concert will feature Jan Lisiecki, a renowned Canadian pianist of Polish extraction. At the age of 15, he signed a contract with the prestigious Deutsche Grammophon label, while taking the world’s most important concert halls by storm.

Brahms’s academicism – full of emotion, virtuosity and rich orchestral sounds – will be juxtaposed with a work by Carl Orff. Carmina burana is a piece that combines a monumental cast (worthy of a Mahler symphony) with a radical minimalism of composition technique. This economy of expression, in contrast to the dominant artistic trends of the 1930s, gave Orff’s work the status of an icon of musical primitivism. Carmina burana is a cantata based on a selection of poetry from a  thirteenth-century codex, dealing with such things as the vicissitudes of fate, love, pleasure and transience, expressed through ecstatic rhythms, beaten out by an expanded percussion section, and simple, memorable ostinato melodies, entrusted to soloists and a huge choir.
 

Bartłomiej Gembicki

The Warsaw Philharmonic Strategic Patron of the Year – PKO Bank Polski – warmly welcomes you to join us in this concert
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Bartosz Michałowski

Bartosz Michałowski graduated with distinction in choral conducting from Poznań Music Academy. In 1998–2005, he was assistant to Stefan Stuligrosz and conductor of the ‘Poznań Nightingales’ Boys’ and Men’s Choir, with which he performed extensively in Germany, France, Spain, Belgium, Sweden, Austria, Russia and Japan.

He won first prize in the 9th Polish National Choral Conductors Competition in Poznań, as well as a special prize for his diligent work on voice production with choirs. In 2015, he won the Orphée d‘Or of the Académie du Disque Lyrique, and was nominated for one of the Polish record industry’s Fryderyk awards. In 2020, he received a Fryderyk for a recording of Szymanowski’s opera Hagith (with the Warsaw Philharmonic Choir). He also received two nominations for the International Classial Music Awards 2022. Bartosz Michałowski is the founder and artistic director of Poznań Chamber Choir, one of the leading Polish ensembles of its kind, and of the ‘Opus 966’ Polish Composition Competition. He also devised the ‘Pisz muzykę – to proste!’ (‘Write music – it’s easy!’) composing workshops for children and co-produced the ‘Obrazogranie’ (‘Picture playing’) project at the National Museum in Poznań.

As Director of the Warsaw Philharmonic Choir, he has conducted Szymanowski’s Kurpian Songs, masses by Kodály and Gretchaninov, Rossini’s Petite messe solennelle (the recording has been nominated for an ICMA award), Mozart’s Coronation Mass and Requiem, and oratorios: Paulus by Mendelssohn, Messiah by Handel, Christ on the Mount of Olives by Beethoven and Litanies of Ostra Brama by Moniuszko. He prepared the ensemble for the first ever performance of Anton Rubinstein’s sacred opera Moses (conducted by Michail Jurowski and recorded in 2018) and for a performance and the first ever recording of Moniuszko’s opera The Pariah in Italian, and has also helped prepare vocal-instrumental concerts of the Warsaw Philharmonic Choir and Orchestra, collaborating with such eminent conductors as Andrzej Boreyko, Ton Koopman, Christoph König, Matthew Halls, Martin Haselböck, Jacek Kaspszyk and Krzysztof Penderecki.

In April 2024, the Warsaw Philharmonic Choir under his direction recorded a new album – Paweł Łukaszewski. The Adoration.

Bartosz Michałowski has participated in renowned festivals including the Schleswig-Holstein Musik Festival and Ludwig van Beethoven Easter Festival, and has collaborated regularly with renowned institutions and orchestras. He has numerous first performances to his credit.

In addition to gaining experience as a conductor, Bartosz Michałowski has spent many years working on enhancing his skills and knowledge in the field of voice production, completing masterclasses with Poppy Holden (Great Britain), Christian Elsner (Germany) and Józef Frakstein (Poland). He holds a PhD and is a lecturer at the Chopin University of Music.

 

[2025]

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