Special Concert Filharmonia Narodowa

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Special Concert
Il Pomo d'Oro, photo: Grzesiek Mart

This is an exceptional opportunity to hear one of George Frideric Handel’s greatest masterpieces performed by world-class artists on the stage of the Warsaw Philharmonic. The libretto of the opera Giulio Cesare is undoubtedly one of the most exciting among all the composer’s stage works. The author of the text, Nicola Francesco Haym – an avid numismatist and expert in ancient history – drew on events from the time of Julius Caesar, creatively revising them to achieve the desired dramatic effects.

At the root of the conflict, so necessary in Baroque opera, lies a macabre gesture. The severed head of Gnaeus Pompeius – once Caesar’s ally, later his mortal enemy – becomes an ill-advised gift sent to the dictator of Rome by the young king of Egypt, Ptolemy. Presented before the murdered man’s wife and son, it initiates a series of events full of political intrigue, but not without romantic strands. The story gains particular intensity thanks to its vivid characters (among them the legendary Cleopatra) and excellent dramatic structure.

This fascinating drama would not have gained such expressive power if it had not been set to the masterful music of one of the greatest composers of the era. Handel, like few others, was able to convey the subtlest nuances of emotion – both in daring and pathos-filled arias accompanied by solo instruments, and in poignant laments and intimate internal monologues.


Bartłomiej Gembicki

Jakub Józef Orliński
Giulio Cesare
Sabine Devieilhe
Cleopatra
Yuriy Mynenko
Tolomeo
Beth Taylor
Cornelia
Rebecca Leggett
Sesto
Alex Rosen
Achilla
Marco Saccardin
Curio
Rémy Brès-Feuillet
Nireno
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Sabine Devieilhe

Originally from Normandy, Sabine Devieilhe studied cello and musicology before pursuing her vocal studies at the Conservatoire National Supérieur de Paris. She is in demand both in France and internationally, with a repertoire ranging from early music to contemporary compositions.

Soon after graduating, she was invited to the Festival d’Aix-en-Provence to sing Serpetta in Wolfgang Amadeus Mozart’s La finta giardiniera and to Lyon for her debut as Queen of the Night in Mozart’s Die Zauberflöte. She has since sung on the most prominent operatic stages in Europe and at the Metropolitan Opera in New York. In the 2025/2026 season, Sabine Devieilhe can be heard as Dalinda in George Frideric Handel’s Ariodante and as Susanna in Mozart’s Le nozze di Figaro at the Opéra national de Paris. She will make her anticipated debut as Lucie in the French version of Gaetano Donizetti’s Lucia di Lammermoor at the Opéra Comique and will tour Europe with Jakub Józef Orliński and Il Pomo d’Oro in Handel’s Giulio Cesare.

Sabine Devieilhe is equally in demand as a concert soloist, be it with Handel and J.S. Bach arias and the Ensemble Pygmalion under Raphaël Pichon, or Benjamin Britten’s Les Illuminations with the Bayerische Staatsorchester under Vladimir Jurowski. Her first collaboration with Sir Simon Rattle in concert performances of Mozart’s Idomeneo (Ilia) garnered critical acclaim. In May 2025, she was celebrated alongside Stéphane Degout and the Ensemble Pygmalion in concert performances of Gabriel Fauré’s Requiem and excerpts from Ambroise Thomas’ Hamlet. In the current season, Sabine Devieilhe can be also heard with the Ensemble Correspondances under Sébastien Doucé.

No stranger to the recital stage, Sabine Devieilhe released her album with songs by Mozart and Richard Strauss in March 2024 – a programme she took with Mathieu Pordoy in 2024 and 2025 in Europe’s most prestigious recital venues. In the 2025/2026 season, she takes to the stage in Utrecht, London’s Wigmore Hall, the Pierre Boulez-Saal in Berlin, the Philharmonie Luxembourg, in Compiègne, Lyon, Bordeaux and Strasbourg.

Since 2012, Sabine Devieilhe has been an exclusive artist with Erato/Warner Classics. Her debut CD of Jean-Philippe Rameau’s arias won several awards, including a Diapason d’Or. Her discography includes the album Mozart & The Weber Sisters with the Ensemble Pygmalion under Raphaël Pichon, Mirages with Les Siècles under François-Xavier Roth, Chanson d’amour with songs by Fauré, Claude Debussy, Maurice Ravel and Francis Poulenc, as well as an album with arias by Handel and J.S. Bach.
 

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