Special Concert Filharmonia Narodowa

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Special Concert
Il Pomo d'Oro, photo: Grzesiek Mart

This is an exceptional opportunity to hear one of George Frideric Handel’s greatest masterpieces performed by world-class artists on the stage of the Warsaw Philharmonic. The libretto of the opera Giulio Cesare is undoubtedly one of the most exciting among all the composer’s stage works. The author of the text, Nicola Francesco Haym – an avid numismatist and expert in ancient history – drew on events from the time of Julius Caesar, creatively revising them to achieve the desired dramatic effects.

At the root of the conflict, so necessary in Baroque opera, lies a macabre gesture. The severed head of Gnaeus Pompeius – once Caesar’s ally, later his mortal enemy – becomes an ill-advised gift sent to the dictator of Rome by the young king of Egypt, Ptolemy. Presented before the murdered man’s wife and son, it initiates a series of events full of political intrigue, but not without romantic strands. The story gains particular intensity thanks to its vivid characters (among them the legendary Cleopatra) and excellent dramatic structure.

This fascinating drama would not have gained such expressive power if it had not been set to the masterful music of one of the greatest composers of the era. Handel, like few others, was able to convey the subtlest nuances of emotion – both in daring and pathos-filled arias accompanied by solo instruments, and in poignant laments and intimate internal monologues.


Bartłomiej Gembicki

Jakub Józef Orliński
Giulio Cesare
Sabine Devieilhe
Cleopatra
Yuriy Mynenko
Tolomeo
Beth Taylor
Cornelia
Rebecca Leggett
Sesto
Alex Rosen
Achilla
Marco Saccardin
Curio
Rémy Brès-Feuillet
Nireno
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Beth Taylor

Lauded by The Guardian for her “dark and focused” voice, “sensational coloratura” and “spectacular singing” and by The Times for her “fierce, indeed terrifying, caneswishing” characterisations, Beth Taylor is one of today’s most electrifying young mezzo-sopranos.

In the 2025/2026 season, the artist performs with many of the world’s leading orchestras and conductors: the Los Angeles Philharmonic and Gustavo Dudamel, the Berliner Philharmoniker and Kirill Petrenko, the Symphonieorchester des Bayerischen Rundfunks and Sir Simon Rattle, the Müncher Philharmoniker, Münchner Rundfunkorchester, London Philharmonic Orchestra, Wiener Symphoniker, Orquestra Simfònica del Gran Teatre del Liceu in Barcelona, and Bergen Philharmonic Orchestra. She also appears in recital at Wigmore Hall, sings Speranza in Claudio Monteverdi’s L’Orfeo in Bilbao and solo part in Ludwig van Beethoven’s Symphony No. 9 at Carnegie Hall, New York.

Past highlights include Bradamante in George Frideric Handel’s Alcina at Glyndebourne Festival; Arsace in Gioachino Rossini’s Semiramide, Erda in Richard Wagner’s Das Rheingold and La Cieca in Amilcare Ponchielli’s La Gioconda for Deutsche Oper Berlin; Giuliano Gordio in Francesco Cavalli’s Eliogabalo at Opernhaus Zurich; Falliero in Rossini’s Bianca e Falliero and Dardano in Handel’s Amadigi di Gaula in Frankfurt; title role in Rossini’s La Cenerentola in Nancy, Anna in Hector Berlioz’s Les Troyens at the Salzburg Festival and BBC Proms; Cornelia in Handel’s Giulio Cesare at Carnegie Hall and Barbican Hall; Argia in Geminiano Giacomelli’s La Merope at the Concertgebouw Amsterdam; and Sorceress in Henry Purcell’s Dido and Aeneas in Madrid, Hamburg and Paris.

 

[2026]

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