Beth Taylor
Lauded by The Guardian for her “dark and focused” voice, “sensational coloratura” and “spectacular singing” and by The Times for her “fierce, indeed terrifying, caneswishing” characterisations, Beth Taylor is one of today’s most electrifying young mezzo-sopranos.
In the 2025/2026 season, the artist performs with many of the world’s leading orchestras and conductors: the Los Angeles Philharmonic and Gustavo Dudamel, the Berliner Philharmoniker and Kirill Petrenko, the Symphonieorchester des Bayerischen Rundfunks and Sir Simon Rattle, the Müncher Philharmoniker, Münchner Rundfunkorchester, London Philharmonic Orchestra, Wiener Symphoniker, Orquestra Simfònica del Gran Teatre del Liceu in Barcelona, and Bergen Philharmonic Orchestra. She also appears in recital at Wigmore Hall, sings Speranza in Claudio Monteverdi’s L’Orfeo in Bilbao and solo part in Ludwig van Beethoven’s Symphony No. 9 at Carnegie Hall, New York.
Past highlights include Bradamante in George Frideric Handel’s Alcina at Glyndebourne Festival; Arsace in Gioachino Rossini’s Semiramide, Erda in Richard Wagner’s Das Rheingold and La Cieca in Amilcare Ponchielli’s La Gioconda for Deutsche Oper Berlin; Giuliano Gordio in Francesco Cavalli’s Eliogabalo at Opernhaus Zurich; Falliero in Rossini’s Bianca e Falliero and Dardano in Handel’s Amadigi di Gaula in Frankfurt; title role in Rossini’s La Cenerentola in Nancy, Anna in Hector Berlioz’s Les Troyens at the Salzburg Festival and BBC Proms; Cornelia in Handel’s Giulio Cesare at Carnegie Hall and Barbican Hall; Argia in Geminiano Giacomelli’s La Merope at the Concertgebouw Amsterdam; and Sorceress in Henry Purcell’s Dido and Aeneas in Madrid, Hamburg and Paris.
[2026]