Symphonic Concert Filharmonia Narodowa

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Symphonic Concert
Paul Goodwin (photo: Carmel Bach Festival), Ian Bostridge (photo: Marco Borggreve)

Paul Goodwin is a conductor specialising in historically informed performance, seeking to remain as close as possible to the performance practices of the periods in which the works he conducts were composed. At the Warsaw Philharmonic, he will conduct two works separated by more than a century: Franz Schubert's Symphony No. 5 (1816) and Benjamin Britten's Saint Nicolas, Op. 42 (1948), whose subject naturally echoes the festive season now approaching.

Of Schubert’s six early symphonies, the Symphony No. 5 in B flat major comes closest to Mozart’s ideal of musical beauty. Written when the composer was just nineteen years old, it is a work full of youthful energy and optimism. It continues to be admired for its simplicity and melodic concision, as well as for the lightness and clarity of its form. Contributing to these qualities is the work’s modest orchestral scoring, omitting clarinets, trumpets and timpani, which Schubert most likely chose with performances by semi-amateur ensembles in mind.

The subject of Benjamin Britten’s nine-movement cantata is the life of Nicholas, Bishop of Myra and Lycia, who devoted himself to helping the poor and those in need (it was he who eventually became the prototype for the Christmas figure of Saint Nicholas). This monumental work will be performed by the Choir and Orchestra of the Warsaw Philharmonic, joined in an expanded line-up by, among other instruments, the organ, piano and percussion, together with the Artos Children’s Choir. A particular highlight of the concert will be the appearance of the distinguished British tenor Ian Bostridge.

 

Grzegorz Zieziula

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Danuta Chmurska

A conductor, artistic director of the Artos Choir, president of the Władysław Skoraczewski ARTOS Music Society. As a child she joined the youth choir led by Władysław Skoraczewski; she then continued her career at the Teatr Wielki – Polish National Opera in Warsaw becoming assistant to Romuald Miazga. Since 1981, Danuta Chmurska has been a music teacher and expert responsible for preparing children’s parts (both solo and chorus ones) for operas, oratorio and cantata concerts, ballet and theatre performances (Giacomo Puccini’s Turandot, Georges Bizet’s Carmen, Krzysztof Penderecki’s Paradise Lost, Modest Mussorgsky’s Boris Godunov, Karol Szymanowski’s King Roger, Pyotr Tchaikovsky’s The Queen of Spades and The Nutcracker, Joanna Bruzdowicz’s Gates to Paradise, Alban Berg’s Wozzeck, Katarzyna Głowicka’s Requiem for an Icon, Jan Stefani’s The Pretended Miracle, or Krakovians and Highlanders among others).

She has collaborated with many eminent conductors, including Jacek Kaspszyk, Tadeusz Wojciechowski, Tomasz Radziwonowicz and Gabriel Chmura, often gaining their recognition. According to Danuta Chmurska herself, her greatest choral achievements include preparing choirs for Wolfgang Amadeus Mozart’s Requiem and Coronation Mass, Giovanni Battista Pergolesi’s Stabat Mater and also the children’s part in Gustav Mahler’s Symphony No. 8, and a piece by Martin Palmeri – Misa a Buenos Aires – Misatango, performed by the Artos Choir in New York’s Carnegie Hall at the composer’s invitation.

While running the choirs of the ARTOS Music Society, she also initiates and organises concerts and other artistic events. She teaches children, the youth and adults how to use their voice as well as interpretation and artistic expression in the spirit of the Society’s patron and Danuta Chmurska’s master – Władysław Skoraczewski.

 

[2023]

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