Symphonic Concert Filharmonia Narodowa

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Symphonic Concert
Thomas Dausgaard, photo: Thomas Grøndahl

200. Anniversary of the Birth of Anton Bruckner
 

Anton Bruckner’s Gradual ‘Locus iste’ was first performed in October 1869 to celebrate the consecration of the Votivkapelle, one of the first completed segments of the neogothic New Cathedral in Linz.

According to many commentators, it was in his Third Symphony that Bruckner revealed himself as the architect of a new concept for a monumental symphony. The planned premiere of the first version from 1873 was rejected after several attempts, and the presentation of the revised version from 1877 was a disaster; the main version – the third – dates from 1890. This concert will remind us of the original version of the work, based on the manuscript that Bruckner gave to Wagner, dedicating his symphony to him. It includes quotations that were later rejected, from Tristan and Die Walküre, among others, and the second movement Adagio is more elaborate compared to the later shortened versions.

The painful experience of the tragic death of his niece, Alusia Bartoszewiczówna, was the direct impulse for Karol Szymanowski to compose a sacred work he had already thought of before. He turned to the words of the Stabat Mater, inspired and enchanted by Józef Jankowski’s translation, and created one of his finest and most deeply felt works, combining innovative elements of musical language with subtle archaisms and references to traditional music.

Piotr Maculewicz

Realizacja koncertu przy współpracy z Polskim Wydawnictwem Muzycznym w ramach programu TUTTI.pl promującego wykonawstwo muzyki polskiej.
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Aleksandra Kubas-Kruk

Aleksandra Kubas-Kruk graduated with distinction from the vocal department at the Karol Lipiński Academy of Music in Wrocław in the vocal class of Danuta Paziuk-Zipser. She improved her skills at the Universität für Musik in Vienna. The singer has been awarded prize at the Toulouse International Singing Competition, and the grand prizes at the Stanisław Moniuszko International Vocal Competition in Warsaw, Solomiya Krushelnytska International Opera Singers’ Competition in Lviv and the Karol Szymanowski International Vocal Competition in Łódź.

She made her debut as Gilda in Giuseppe Verdi’s Rigoletto on the stage of Wrocław Opera in 2007. As a soloist at this theatre (2008–2017), she appeared in many leading roles, including as: Violetta in Verdi’s La traviata, Susanna in Wolfgang Amadeus Mozart’s Le nozze di Figaro, Pamina in Mozart’s Die Zauberflöte and Hanna in Stanisław Moniuszko’s The Haunted Manor. Aleksandra Kubas-Kruk’s international debut as Cunegunda in Leonard Bernstein’s Candide took place in the theatres of Ravenna, Livorno and Pisa. The artist has performed on the stages of the Klangvokal Musikfestival Dortmund, Bolshoi Theatre in Moscow, Teatro San Carlo in Naples, Teatro Lirico Giuseppe Verdi in Trieste, Concertgebouw in Amsterdam, Tokio Opera City Concert Hall, Tonhalle Zürich and Teatro Comunale in Sassari. She performed at the Opernhaus Zürich as Fiakermilli in Richard Strauss’ Arabella and in October 2023, she created the role of Vitella in the premiere performance of Mozart’s La clemenza di Tito in the new production of the Baltic Opera in Gdańsk. At the Berliner Philharmonie she performed the soprano part in Gioacchino Rossini’s Stabat Mater, and in November she performed at the Mozarteum Orchester Salzburg during the WØD-Weinberg 2023 festival with a recital of Mieczysław Weinberg’s songs.

Aleksandra Kubas-Kruk has worked with such conductors as Jordi Bernàcer, Patrick Fournillier, Vasily Petrenko, Péter Eötvös, Elio Boncompagni, John Axelrod, Christopher Moulds, Jacek Kaspszyk, Jesús López-Cobos, Andriy Yurkevych, Łukasz Borowicz, Tadeusz Strugała, Ewa Michnik, Pavel Klinichev, Marek Pijarowski, Michał Klauza, Sławomir Chrzanowski, Paweł Przytocki, Yaroslav Shemet.

The artist has many recordings to her credit, including: Weinberg (Un)Discovered Songs (DUX 2023) – a recording of recently discovered songs by Weinberg with pianist Monika Kruk, Impressions for soprano and viola (DUX 2022), Leonardo Vinci’s opera Gismondo, re di Polonia (Parnassus Arts Productions 2020), George Frideric Handel’s European award-winning Arminio (C MAJOR UNITEL 2018), Musica Sacromontana – Józef Zeidler – Missa in D major (DUX 2018), or a disc of music by Michał Bergson (DUX 2020), as well as the 2019 Fryderyk Award-winning Moniuszko’s Widma (Spectres; CD Accord 2018).

Since 2012, Aleksandra Kubas-Kruk has worked as a singing teacher at the Karol Lipiński Academy of Music in Wrocław. In September 2019, she received her postdoctoral degree.
 

[2026]

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