Symphonic Concert Filharmonia Narodowa

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Symphonic Concert
Thomas Dausgaard, photo: Thomas Grøndahl

200. Anniversary of the Birth of Anton Bruckner
 

Anton Bruckner’s Gradual ‘Locus iste’ was first performed in October 1869 to celebrate the consecration of the Votivkapelle, one of the first completed segments of the neogothic New Cathedral in Linz.

According to many commentators, it was in his Third Symphony that Bruckner revealed himself as the architect of a new concept for a monumental symphony. The planned premiere of the first version from 1873 was rejected after several attempts, and the presentation of the revised version from 1877 was a disaster; the main version – the third – dates from 1890. This concert will remind us of the original version of the work, based on the manuscript that Bruckner gave to Wagner, dedicating his symphony to him. It includes quotations that were later rejected, from Tristan and Die Walküre, among others, and the second movement Adagio is more elaborate compared to the later shortened versions.

The painful experience of the tragic death of his niece, Alusia Bartoszewiczówna, was the direct impulse for Karol Szymanowski to compose a sacred work he had already thought of before. He turned to the words of the Stabat Mater, inspired and enchanted by Józef Jankowski’s translation, and created one of his finest and most deeply felt works, combining innovative elements of musical language with subtle archaisms and references to traditional music.

Piotr Maculewicz

Realizacja koncertu przy współpracy z Polskim Wydawnictwem Muzycznym w ramach programu TUTTI.pl promującego wykonawstwo muzyki polskiej.
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Bartosz Michałowski

Bartosz Michałowski graduated with distinction in choral conducting from Poznań Music Academy. In 1998–2005, he was assistant to Stefan Stuligrosz and conductor of the ‘Poznań Nightingales’ Boys’ and Men’s Choir, with which he performed extensively in Germany, France, Spain, Belgium, Sweden, Austria, Russia and Japan.

He won first prize in the 9th Polish National Choral Conductors Competition in Poznań, as well as a special prize for his diligent work on voice production with choirs. In 2015, he won the Orphée d‘Or of the Académie du Disque Lyrique, and was nominated for one of the Polish record industry’s Fryderyk awards. In 2020, he received a Fryderyk for a recording of Szymanowski’s opera Hagith (with the Warsaw Philharmonic Choir). He also received two nominations for the International Classial Music Awards 2022. Bartosz Michałowski is the founder and artistic director of Poznań Chamber Choir, one of the leading Polish ensembles of its kind, and of the ‘Opus 966’ Polish Composition Competition. He also devised the ‘Pisz muzykę – to proste!’ (‘Write music – it’s easy!’) composing workshops for children and co-produced the ‘Obrazogranie’ (‘Picture playing’) project at the National Museum in Poznań.

As Director of the Warsaw Philharmonic Choir, he has conducted Szymanowski’s Kurpian Songs, masses by Kodály and Gretchaninov, Rossini’s Petite messe solennelle (the recording has been nominated for an ICMA award), Mozart’s Coronation Mass and Requiem, and oratorios: Paulus by Mendelssohn, Messiah by Handel, Christ on the Mount of Olives by Beethoven and Litanies of Ostra Brama by Moniuszko. He prepared the ensemble for the first ever performance of Anton Rubinstein’s sacred opera Moses (conducted by Michail Jurowski and recorded in 2018) and for a performance and the first ever recording of Moniuszko’s opera The Pariah in Italian, and has also helped prepare vocal-instrumental concerts of the Warsaw Philharmonic Choir and Orchestra, collaborating with such eminent conductors as Andrzej Boreyko, Ton Koopman, Christoph König, Matthew Halls, Martin Haselböck, Jacek Kaspszyk and Krzysztof Penderecki.

In April 2024, the Warsaw Philharmonic Choir under his direction recorded a new album – Paweł Łukaszewski. The Adoration.

Bartosz Michałowski has participated in renowned festivals including the Schleswig-Holstein Musik Festival and Ludwig van Beethoven Easter Festival, and has collaborated regularly with renowned institutions and orchestras. He has numerous first performances to his credit.

In addition to gaining experience as a conductor, Bartosz Michałowski has spent many years working on enhancing his skills and knowledge in the field of voice production, completing masterclasses with Poppy Holden (Great Britain), Christian Elsner (Germany) and Józef Frakstein (Poland). He holds a PhD and is a lecturer at the Chopin University of Music.

 

[2025]

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