Symphonic Concert Filharmonia Narodowa

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Symphonic Concert
Thomas Dausgaard, photo: Thomas Grøndahl

200. Anniversary of the Birth of Anton Bruckner
 

Anton Bruckner’s Gradual ‘Locus iste’ was first performed in October 1869 to celebrate the consecration of the Votivkapelle, one of the first completed segments of the neogothic New Cathedral in Linz.

According to many commentators, it was in his Third Symphony that Bruckner revealed himself as the architect of a new concept for a monumental symphony. The planned premiere of the first version from 1873 was rejected after several attempts, and the presentation of the revised version from 1877 was a disaster; the main version – the third – dates from 1890. This concert will remind us of the original version of the work, based on the manuscript that Bruckner gave to Wagner, dedicating his symphony to him. It includes quotations that were later rejected, from Tristan and Die Walküre, among others, and the second movement Adagio is more elaborate compared to the later shortened versions.

The painful experience of the tragic death of his niece, Alusia Bartoszewiczówna, was the direct impulse for Karol Szymanowski to compose a sacred work he had already thought of before. He turned to the words of the Stabat Mater, inspired and enchanted by Józef Jankowski’s translation, and created one of his finest and most deeply felt works, combining innovative elements of musical language with subtle archaisms and references to traditional music.

Piotr Maculewicz

Realizacja koncertu przy współpracy z Polskim Wydawnictwem Muzycznym w ramach programu TUTTI.pl promującego wykonawstwo muzyki polskiej.
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Ewa Wolak

An artist endowed with a voice of an unusually dark timbre, large scale and agility, which allows her to perform a diverse repertoire – from early music, through Gioacchino Rossini, Giuseppe Verdi and Richard Wagner to contemporary music. Her repertoire includes leading parts in operas, oratorios and songs.

A graduate of the Krzysztof Penderecki Academy of Music in Krakow (diploma with honorary mention), as a Deutscher Akademischer Austauschdienst scholarship holder she also completed postgraduate and opera studies at the Hochschule für Musik in Karlsruhe.

Ewa Wolak has won prizes at prestigious vocal competitions, in Athens (Grand Prix Maria Callas) and ̕s-Hertogenbosch (Internationale Vocal Competition, the Netherlands), amongst others. Her numerous opera parts include: Delilah (Camille Saint-Saëns’ Samson and Delilah), eponymous part in Bizet’s Carmen, Fides (Giacomo Meyerbeer’s The Prophet), Fricka and Erda (Richard Wagner’s Der Ring des Nibelungen), Ulrika (Giuseppe Verdi’s Un ballo in maschera), Quickly (Verdi’s Falstaff), Olga (Pyotr Tchaikovsky’s Eugene Onegin), Isabella (Gioacchino Rossini’s L’italiana in Algeri), and Ratmir (Mikhail Glinka’s Ruslan and Lyudmila), as well as the leading parts in George Frideric Handel’s operas.

The artist has collaborated with Deutsche Oper and Komische Oper in Berlin, Nationaltheater Mannheim, Badisches Staatstheater Karlsruhe, the opera houses in Helsinki, Malmö, Montpellier, Toulouse and Trieste, as well as with Theater an der Wien. She has participated in numerous festivals in Warsaw, Wrocław, Krakow, Vienna, Berlin, Paris, and other cities and has given concerts in Europe, Israel, South Korea, Japan and the United States, under the baton of such conductors as Antoni Wit, Marco Armiliato, Sir Simon Rattle, Donald Runnicles, Andris Nelson, Pier Giorgio Morandi, Philippe Herreweghe, Łukasz Borowicz, and Paul McCreesh, among others. The artist has many CD recordings to her credit (for Naxos and DUX record labels).

She has been honoured with the European Culture Award for her artistic achievements and in 2011, she received the prestigious German opera title of Kammersängerin. In 2019, she was awarded the Silver Medal for Merit to Culture Gloria Artis.

Ewa Wolak has run a singing class at the Krzysztof Penderecki Academy of Music in Krakow. Since 2016, she has been professor at the prestigious Hochschule für Musik Hanns Eisler in Berlin. In February 2023, she was awarded the title of Professor of Art.

 

[2024]

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