Symphonic Concert Filharmonia Narodowa

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Symphonic Concert
Wrocław Baroque Orchestra NFM, photo: Łukasz Rajchert

The Wrocław Baroque Orchestra attached to the Witold Lutosławski National Forum of Music is a dynamically developing ensemble that has already performed with such renowned conductors as Philippe Herreweghe, Giovanni Antonini, Andreas Spering, Hans-Christoph Rademann and Rubén Dubrovsky. Equally impressive is the list of soloists whom the orchestra has had the opportunity to accompany: Vivica Genaux, Regula Muhlemann, Renata Pokupić, Roberta Invernizzi, Aleksandra Kurzak and others. Also among their number is Bartłomiej Nizioł – an outstanding performer of both ambitious works from the last century and also early music. This time, the soloist will be turning to the forgotten heritage of the Polish violin literature – the concertos of Feliks Janiewicz. That outstanding violinist and composer, a friend of Wolfgang Amadeus Mozart, was regarded in his day as an international star of the stage. The performance of his fourth and fifth concertos on period instruments, led by the Wrocław orchestra’s founder and NFM director Andrzej Kosendiak, will allow our present-day audience to enjoy the same sounds that accompanied the era of ‘storm and stress’ (Sturm und Drang).

Jan Lech

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Andrzej Kosendiak

Andrzej Kosendiak is a conductor and a teacher, one of the most active musicians and organisers of musical life in Poland. He is a graduate of the Faculty of Composition, Conducting and Theory of Music at the Academy of Music in Wrocław where in the years 2001–2009 he was head of the Interdepartmental Early Music Studio. In 2021, he was awarded the title of professor and is currently working at his alma mater. In 2005, he became director of the Wrocław Philharmonic and the International Festival Wratislavia Cantans and led to a change of the profile of both institutions and to transforming them into the National Forum of Music (NFM).

The conductor has a particular interest in early music. In 2013, he founded the Wrocław Baroque Ensemble. He has recorded compositions by Grzegorz Gerwazy Gorczycki (Wrocław Music Award 2013), Bartłomiej Pękiel and Marcin Mielczewski; most of these recordings have been nominated for the Fryderyk Award, and in 2019, the album Mielczewski II won in the category ‘Album of the Year: Early Music’. More recently, further albums of early Polish music have been released, including compositions by Stanisław Sylwester Szarzyński, Mikołaj Zieleński and Jacek Różycki.

Andrzej Kosendiak regularly conducts philharmonic ensembles in Poland and abroad. He has performed in many European countries, the United States (where he has worked with, among others, the University of North Carolina at Chapel Hill) and China. 2018 saw the release of a recording of Stanislaw Moniuszko’s Phantoms conducted by Andrzej Kosendiak, recorded by outstanding singers and actors, the NFM Choir and the Wrocław Baroque Orchestra. This recording received the 2019 Fryderyk Award (‘Album of the Year: Choral, Oratorio and Opera Music’). The albums Antonio Maria Bononcini: La decollazione di San Giovanni Battista by the Wrocław Baroque Orchestra and Mikołaj Zieleński: Offertoria et communiones totius anni by the Wrocław Baroque Ensemble – both performed under the baton of the director of the National Forum of Music – have been nominated in the Baroque Vocal category for the International Classical Music Awards in 2020 and 2021 respectively. The release, featuring Zieleński’s compositions, was awarded the 2021 Fryderyk Award (‘Album of the Year: Early Music’).

 

[2024]

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