Symphonic Concert Filharmonia Narodowa

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Symphonic Concert
Josef Špaček, photo: Radovan Subin

Le Loup [The wolf], a ballet by Henri Dutilleux, failed to win recognition during the composer’s lifetime. It was only in 2016 that the work became popular, when many French record releases were devoted to less well-known works by Dutilleux, who was born in 1916. This music was written in 1953 but can be found more often in recordings and concert halls than on ballet stages. This considerable interpretative challenge is taken on by the outstanding Belgian conductor Martijn Dendievel. He will be accompanied by the eminent Czech violinist Josef Špaček. Špaček will be performing the First Violin Concerto by his compatriot Bohuslav Martinů, composed in 1933.

Yet it is the musicians of Sinfonia Varsovia who will be to the fore during this concert. Besides the two works written in the mid-twentieth century, they will also have the chance to display their abilities in Johannes Brahms’s Third Symphony in F major, Op. 90. The three-note motif f–a flat–f that opens this composition is largely interpreted as a musical reflection of the composer’s life motto: frei aber froh (‘free, but happy’). That motto is subsequently developed into a glorious paean to freedom and to the joy of experiencing beauty in music.

Jan Lech

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Martijn Dendievel

Belgian conductor Martijn Dendievel is designated Chief Conductor of the Hofer Symphoniker and Associate Conductor of Symfonieorkest Vlaanderen. After winning the 2021 German Conducting Award and obtaining laureate awards at the Donatella Flick Conducting Competition as well as the International Conducting Competition Rotterdam, he is invited to orchestras across the world.

Besides his engagements with the Hofer Symphoniker and Symfonieorkest Vlaanderen, Martijn Dendievel regularly appears with orchestras and theatres such as Philharmonie Zuidnederland, Teatro Comunale di Bologna, and Sinfonia Varsovia. In the current season, he debutes with the Dortmunder Philharmoniker, Orchestre de Chambre de Lausanne, Orchestra Sinfonica di Milano, and Concerto Köln, whilst returning to the WDR and MDR Sinfonieorchester, as well as the Antwerp Symphony Orchestra.

In recent years, Martijn Dendievel had acclaimed debuts with renowned orchestras such as the Tonkünstler-Orchester Wien, Brussels Philharmonic, Bamberger Symphoniker, Orchestre Philharmonique Royal de Liege and Copenhagen Philharmonic. Furthermore, he has conducted the Concertgebouw Orchestra, London Symphony Orchestra, Tonhalle-Orchester Zürich, Staatskapelle Weimar, and the Rotterdam Philharmonic Orchestra, amongst others. In 2023, he debuted at the George Enescu Festival and Tivoli Festival.

In the operatic field, he recently led a new production of Wolfgang Amadeus Mozart’s Le nozze di Figaro at the Teatro Comunale di Bologna, which was received with great enthusiasm by the audience and the critics alike. In this season, he returns to Bologna for a new production of Mozart’s Don Giovanni.

Growing up in a family of musicians, Martijn Dendievel took his first musical steps on the violin at the age of three. A few years later, he switched to the cello and started playing the recorder, percussion, and the harpsichord. As an instrumentalist, he gained orchestral experience in various youth orchestras, and has performed in halls such as the Konzerthaus Berlin, the Concertgebouw Amsterdam and Bozar in Brussels.

At the age of 14, he was admitted to the Royal Conservatory in Brussels, where he obtained a bachelor’s degree in music theory with distinction, whilst studying cello with Jeroen Reuling. He then moved to Germany to study conducting at the Hochschule für Musik Franz Liszt Weimar with Nicolás Pasquet and Ekhart Wycik. In July 2022, he obtained his master’s degree. Martijn Dendievel has received mentoring from Bernard Haitink and Paavo Järvi, amongst others. He also received significant support from encounters with Christian Thielemann, Iván Fischer and Edo de Waart.

 

[2024]

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